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Module 2A: Evaluating Lighting Options
A. Evaluating Lighting Options Seeing Light Where an artist uses paint to put a vision on canvas, a photographer uses light to create images. This is why it is important to begin to not only see light and recognize its many qualities, but al...
Module 2B: Properties and Quality of Light
B. Properties and Quality of light Quality of LightIn the process of evaluating the light from natural and artificial light sources, the photographer also considers the quality of light. This includes the characteristics of hard light (specular) and soft ...
Module 2C: Light Ratios
C. Light Ratios Getting Started The study of light ratios begins with the fundamental photographic idea of how to use f-stop, shutter speed, and ISO. As you have learned, the f-stop represents a quantity of light that reaches the sensor based on a...
Module 2D: Types of Lighting
D. Types of Lighting Lighting Photographers are called upon to photograph everything from people to products and from landscapes to real estate. When it comes to creating great images of such a variety of subjects, lighting is key. Photograph...
Module 2E: Lighting Techniques
E. Lighting Techniques Controlling Natural Light Natural light is unpredictable from day to day. Changes to natural lighting conditions occur with full sun, overcast skies, and heavy cloud cover. Each lighting condition changes the photographer’s approach...
Module 2F: Types of Flash
F. Types of Flash When it comes to lighting efficiency, flash photography provides the photographer with a powerful light source with plenty of options for controlling the output and use with modifiers. These can be classified into three primary categories...
Module 2G: Speedlights
G. Speedlights Working with Speedlights The power output of a speedlight varies from brand to brand and with different models. The versatility of a speedlight depends on the unit providing ample power and the ability to power the output down when nec...
Module 2H: Off-camera Flash
H. Off-camera Flash Using a Flash Off-CameraThere are several compelling reasons to get the flash off-camera. Bringing an off-camera flash outdoors and on location provides the photographer with tremendous control over the lighting. Control over the...
Module 2I: Flash and Shutter Speed
I. Flash and Shutter speed We saw earlier that the shutter speed has no bearing on the exposure of the flash, however, it is a critical component for proper exposure of ambient light. With this knowledge, we can create blended images that are c...
Module 3A: Color Theory
The Color Wheel A color wheel is a simple representation of primary and secondary and tertiary colors for any given color space. Not to be confused with the red, blue, and yellow color wheel you learned about in elementary school. Photographers mostly concern...
Module 3B: Utilizing the Natural Environment
B. Utilizing the Natural Environment ORGANIZING WHAT YOU SEE Photography is about designing and composing an image that is visually pleasing or effective, and recording it technically correct on the sensor. So, as a photographer, it helps to have a techn...
Module 3C: Cropping In-camera
C. Cropping In-Camera Cropping in the Camera Cropping your images in-camera can help save you time during post-production as well as help you see issues with the image as you are capturing it. Occasionally, it might be better to make...
Module 3D: Angle of View
D. Angle of View Perspective We discussed convergence as it relates to tall buildings, but these same distortions occur when photographing people. Sometimes we use these distortion effects intentionally to help convey the overall feeling of an image. For...
Module 3E: Composing Elements in a Scene
E. Composing Elements in a Scene Elements in an image include foreground, middle ground and background as well as the subject and any props. The placement of the elements should work together to bring attention to the subject and the subject’s relatio...
Module 3F: Composition and Lighting
E. Composition and Lighting Composition and Lighting Lighting can be used as a compositional tool to bring attention to the subject. The eye tends to go to the brightest part of a dark image and the darkest part of a light image. This...
Module 4A: ISO, f/stops, and Shutter Speed
A. ISO, f/stops, and Shutter Speed F-stops The f-stop, or aperture is the control in the lens that opens up or closes/stops down the diaphragm inside as a way to control the amount of light that reaches the film or sensor. These are often...
Module 4B: Utilizing the Exposure Triangle to Create Images
B. Utilizing the Exposure Triangle to Create Images The Sunny 16 Rule The Sunny 16 Rule is less of a rule and more of a guide to help you quickly determine your f/stop and shutter speed in various outdoor lighting conditions. Every situation that y...
Module 4C: Using a Light Meter
C. Using a Light Meter Light Meters When it comes to measuring the intensity of light, there are two types of meters a photographer will use: a reflective meter or an incident meter. While both meters measure light, they operate...
Module 4D: Reading a Histogram
D. Reading a Histogram Histograms Histograms are a graphic representation of the 256 tonal values of the pixels within the image. The horizontal graph represents the pixel’s numerical value from 0 (black) on ...
Module 5A: Processing and Backing up Files
MODULE 5: DIGITAL POST-PRODUCTION A. Processing and Backing Up Files Computer Considerations Selecting a computer to handle digital workflow is an important decision, especially when image editing software consumes so much of the com...